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Hello, my name is Sandy.

100 Days of Teacup (Set 2)

setting up a teacup photo

Teacups are still happening. Here is the second set of 20.

Day 21: Watercolour crayon

Day 21: Watercolour crayon, using old Caran d'Ache Aquarelle Neocolor II.

Day 22: Dots

Day 22: Dots, ink on paper.

Day 23: One continuous line

Day 23: One continuous line, red fineliner on paper.

Day 24: It'll do

Day 24: It'll do. Green fineliner on paper, along with my batch cooking plan.

Day 25: Packing with teacup

Day 25: Packing with teacup. Artline marker on cardboard. Packing began then, and is still going. Ironically, there are no teacups in this box.

Day 26: Felt cutout

Day 26: Felt cutout.

Day 27: One continuous wire

Day 27: One continuous wire. Used craft wire. This was meant to be a beaded teacup, but my beads were sealed up in a packing crate.

Day 28: Sketch on a paper fan

Day 28: Sketch on a paper fan. I regret using colour pencils - the surface was too bumpy. Next time, I will try felt tip markers or watercolours.

Day 29: A smallish cup

Day 29: A smallish cup. Used an Artline 231 tech drawing pen.

Day 30: Keynote shapes

Day 30: Keynote shapes. I spent 2 days designing presentations. Pretty bloody exhausted by the end of it, but day 30 needed a teacup.

Day 31: Teacup stamps

Day 31: Teacup stamps. Drawn in Acorn, printed by Australia Post's personalised stamps service. This is nice as a one-off treat, but generally terrible value. 20 custom local stamps cost $27, which works out to $1.35 a stamp. The service seems to target people having special parties or weddings, and I'm thinking for a party that special, you'd invite a lot of guests... that's a lot of over-priced stamps. Guess I won't be having a special party any time soon!

Day 32: Pastel version of stamp artwork

Day 32: Pastel version of stamp artwork.

Day 33: Drawing with the flat side of pencil

Day 33: Drawing with the flat side of pencil.

Day 34: A RimWorld teacup

Day 34: A RimWorld teacup. It's all fun and games until half your colony gets malaria, your hunter loses an arm in a snake attack, and a fat pirate decomposes in your strawberries cos no one will dig him a grave.

Day 35: My teacup-shaped todo list

Day 35: My teacup-shaped todo list.

Day 36: Washi tape and wire

Day 36: Washi tape and wire.

Day 37: Finger painting in Sketches (iPad)

Day 37: Finger painting in Sketches.

Day 38: Peas, glue and ink on canvas

Day 38: Peas, glue and ink on canvas. With most of my art supplies packed away, I'm relying on salvaging what I can from what's still lying around the house.

Day 39: Ink on tracing paper

Day 39: Ink on tracing paper. Yep, more salvaging. I found the tracing paper under a yet-to-be-KM'd pile of crap in a corner of the study.

Day 40: Photo stitch

Day 40: Photo stitch. A copycat of art @blaizey made for me. I used a lovely business card from Lovegrove Photography, which came inside a thank you card for supporting his wet plate collodion photography campaign.

So, that's the second set. I noticed an interesting psychological thing around day 32. My mind would frame the creation of a teacup like it's some huge undertaking. But in reality, even the more complicated pieces - like the washi sculpture and stamp artwork - didn't take much time. Hmm... or maybe they did, but I was in flow and did not notice.

Anyway, nothing in the last 20 days felt like it took a great deal of time or effort, and at no point did I feel unable to do recreational stuff like watching tv or playing games. When life tasks needed to take priority, I found I could compensate by figuring out how art could be integrated into those tasks. All I needed to do was remember and spare a thought - the rest seemed to follow on from there.

I wonder if expectation is the reason some people grow away from creative endeavours. Expectation that if you're gonna do something, it should be bonkers amazing. Then it's so daunting, you never even start. This, over years and years.

But just to hammer out a thing - good or bad, for the sake of experiencing its creation - there's no expectation there. You don't spend extra energy constantly checking yourself while you're doing it. You just do it, and then look upon the thing once it's done.

If the lesson from the first set was to regard perspiration ahead of inspiration, the lesson from this set is surely to jump in and try stuff while being comfortable with the idea of failure. You know, there are so many areas in life where failure is largely irrelevant. Making tiny teacups for 100 days is one of them. What else might be too?

100 Days of Teacup (Set 1)

The 100 Day Project, how to play

Earlier this month, I pledged to spend 100 days of teacup in #The100DayProject.

May I show you my first 20 teacups?

Day 1: A study of edges + shadows

Day 1: A study of edges + shadows. Pencil and watercolour crayon drawing of peppermint tea, enjoyed at Sydney Airport on our way home from the farm. The crayons still work nicely, even after 20+ years.

Day 2: Acrylic on canvas

Day 2: Acrylic on canvas. I wanted to try making textures with paint, as people have told me you can do with oils. Oils are nicer to work with, but I will stick with acrylic until I learn not to get paint on everything.

Day 3: Origami

Day 3: Origami. Original "teatime" design by Tomohiro Tachi. I followed the MrViolinPeter tutorial on youtube. It looks complicated, but if you can fold 45° angles, you can totally do this.

Day 4: Crochet teacup

Day 4: Crochet teacup. I was really pleased with this, even though I'm not in love with amigurumi. The free Lion Brand tutorial is easy-teasy. :) The base is weighted with beans, the rest is filled with wadding.

Day 5: Paper art teacup

Day 5: Paper art teacup. A friend gave me a stack of beautiful washi paper, which I left untouched in a box of precious things. I found it again while KMing and decided it was time to help those beautiful papers fulfil their life purpose.

Day 6: Doodle on a napkin

Day 6: Doodle on a napkin stolen from a whiskey workshop at Whipper Snapper Distillery. If you're in Perth, love whiskey, and enjoy learning interesting things, go sign up for the 2-hour workshop. You learn about distilling, get to do some tasting - and The Royal is close enough for some good food after.

Day 7: Off-hand

Day 7: Off-hand. Felt-tip on paper. I have a drinking game I like to play with people. The first part is to get nicely sozzled and draw a teacup with your non-dominant hand. I wasn't drunk for this, though. Usually it doesn't go as well.

Day 8: Off-hand, eyes shut

Day 8: Off-hand, eyes shut. Marker on paper. The second part of the game is to shut your eyes and draw with your non-dominant hand. Once in a while, things look how they were meant to.

Day 9: Jute and glue

Day 9: Jute and glue. Because the glue took so long to dry, this took 3 days to complete. It stinks of PVA. I'd like to explore this more if I could find a less smelly adhesive.

Day 10: Layered pop-up card

Day 10: Layered pop-up card. Definitely something to be said here about using good quality materials. I used glossy labels salvaged from bedsheet packaging - annoying to work with. It might be fun to try again with nicer paper.

Day 11: Chalk pastel on paper

Day 11: Chalk pastel on paper. Again, good paper will make a good experience.

Day 12: Tea from a passionfruit shell

Day 12: Tea from a passionfruit shell. Even though I'm used to seeing Chinese and Japanese teacups, I don't find them very teacuppy without the other parts of a tea set. So I got a pot of tea and our last biscuit. It was nice. There was a hint of passionfruit aroma. :)

Day 13: Body paint on skin

Day 13: Body paint on skin. Neshka from Little Magic - Art & Design let me try her face paint. This is a lovely type of art. And the very temporary nature makes it feel so delightful. I would probably feel differently if I was covered in it, but something tiny like this is OK.

Day 14: LED dot matrix display

Day 14: LED dot matrix display. I was working on a LED display for a project; a teacup emerged. The Freetronics DMD is great. It comes with the cable, you just plug it into the arduino - so easy. I expected to struggle, but it only took an hour-ish to get the software, play around, then make the picture appear. That includes the nervous procrastination preceding all my projects. A more experienced maker could do it in half the time.

Day 15: Charcoal on paper

Day 15: Charcoal on paper. Some study of light and shadow. I did the top wrong. I know. :(

Day 16: Watercolour

Day 16: Watercolour. This was fun. Watercolour, let's date each other.

Day 17: Ink fingerpainting

Day 17: Ink fingerpainting. Normally, I try to prevent ink from getting on my fingers. But the stamp pad was just there. Finger was still black the next day. B-, would fingerpaint again, but won't use ink.

Day 18: Puff pastry and mozarella

Day 18: Puff pastry and mozarella. The fails are in the background. Beauty only matters for the photo. They were all equally yummy.

Day 19: Mouth drawing

Day 19: Mouth drawing. This felt weird. I think you have to use your tongue for finer control, but I didn't want to get licky with my pen. It's hard with a fineliner, cos too much slanting lifts the tip off the page. This could be worth trying with a paintbrush.

Day 20: Foot drawing

Day 20: Foot drawing. Also feels weird, also want to try with a paintbrush.

"Show up, show up, show up," says one of the posters for #The100DayProject. After 20 days of showing up, I realise art is more about perspiration than inspiration. Ideas flow fast and free when you're in the right state of mind, but it takes discipline and perseverance to turn it into something you can behold.

There are days my discipline wavers, but I want to make it to 100. It's like exercising muscles. I want to come out the other end with the creative process feeling like the natural course of things. I am still nervous about art, but starting to feel more confident.

The bit I enjoy most is having an excuse to try new stuff, or try new ways of doing old stuff. I don't know what you call these things. Art forms? Mediums? Some of them I've wanted to try for ages, but never got around to it. This is wonderful incentive.

I'll post sets here every 20 days, but if you'd like to follow the days, check out my instagram or 100 Days of Teacup album on Facebook.

So, that's it for now. 80 days to go.

Waaaaaaah~ 80 is a such a big number. T___T

Sketch: Buggy On Mars (pastel)

fan art for The Martian: Watney's rover driving through dust

Last month, I read The Martian by Andy Weir. It's a story about a botanist who gets stranded on Mars when a mission abort goes awry. I loved this book. Couldn't put it down, and there was so much to take in each time. Weir nails the nerd banter; I felt right at home.

So here is my fanart. I wanted to draw the protagonist's vehicle driving through dust, so decided to learn how to use pastels. Which is why I'm a month late with this drawing.

It's a bit weak - in hindsight, I should have gone harder with the colours, or maybe used different coloured paper - one that doesn't dull the orange hues so much. But oh well. I'm just glad it's over now so I can try drawing things that are not clouds.

For anyone interested, I made a board of Mars pastel cloud references.

Next fanart will be for Altered Carbon by Richard K. Morgan. Might go back to pencil and paper for this one, so I don't fall behind again. ^_^;

Things that could have been

sunrise in pastel

This post isn't what it was meant to be. By now, I wanted to talk about my projects, but I didn't end up doing them.

My next 20 book pledge fanart hasn't been started. I decided on a pastel instead of a sketch, so I've been spending this time learning how to pastel. The photo above is one of my practice pieces.

I wanted to share my pumpkin dish with you, but we still haven't even decided what to make.

And I wanted to talk about the arduino stuff I did yesterday, but woke up so hungover and didn't actually do any. The night before was my last day at work, you see. I felt loved at the farewell meeting, then very loved at farewell drinks.

That was supposed to be a 2-pint night. Oh, the things that could have been.

This job would have been so perfect for the me of 12 years ago - idealistic, in love with code, and immune to hangovers.

rhoeo, dianthes, myoporum and callistemon in a sandy garden bed

The me of today has other dreams, though, and it's time to go chase them. Yes, it sounds romantic, but at the moment just amounts to looking for a part-time job.

This year is my 20th anniversary of being a web person. It's surreal because I don't feel how I expected. I thought I'd be an expert, but as each year passes, I feel increasingly like I don't know my arse from a hole in the ground. They say this happens as you get older - you do know more, but also grow painfully aware of what you don't know.

Since I was a teenager, I worried I'd turn out to be an uncommitted person, so I'm at least proud of having stuck with something for this long, even if I did jump between various sub-disciplines. Sometimes I think I would feel more expert-ish now if I had specialised, but that never worked out. I need the variety of multidisciplinary work.

I'd like to think you can specialise in being a generalist - it's just harder to find a name for what you do. And when you don't have a name, people can't ask specifically for you. So it's hard for you to say, "I fit exactly here."

I've talked about plants being the next step for me, but my instinct says that's only an approximation. Nearly a year ago, I finished my horticulture course, hungry for an interesting yet unnamed combination of things.

When I was 14, I found myself getting on with ordinary life, then stumbling into web. Now, web is ordinary life, and I'm stumbling into this next step. I had no idea what a "web developer" was until I'd already been one for a few years, and I imagine it'll go the same way here. What do you call a plant-tech-craft person? And where exactly can one fit?

I'm pretty nervous. Quite scared, actually. What if I can't afford this? What if there's no place at all for me or the things I want to do? Yet these fears are nothing compared to the fear of waking up 20 years from now, wistful.

So, onward we go.

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