Teacups are still happening. Here is the second set of 20.
Day 21: Watercolour crayon, using old Caran d'Ache Aquarelle Neocolor II.
Day 22: Dots, ink on paper.
Day 23: One continuous line, red fineliner on paper.
Day 24: It'll do. Green fineliner on paper, along with my batch cooking plan.
Day 25: Packing with teacup. Artline marker on cardboard. Packing began then, and is still going. Ironically, there are no teacups in this box.
Day 26: Felt cutout.
Day 27: One continuous wire. Used craft wire. This was meant to be a beaded teacup, but my beads were sealed up in a packing crate.
Day 28: Sketch on a paper fan. I regret using colour pencils - the surface was too bumpy. Next time, I will try felt tip markers or watercolours.
Day 29: A smallish cup. Used an Artline 231 tech drawing pen.
Day 30: Keynote shapes. I spent 2 days designing presentations. Pretty bloody exhausted by the end of it, but day 30 needed a teacup.
Day 31: Teacup stamps. Drawn in Acorn, printed by Australia Post's personalised stamps service. This is nice as a one-off treat, but generally terrible value. 20 custom local stamps cost $27, which works out to $1.35 a stamp. The service seems to target people having special parties or weddings, and I'm thinking for a party that special, you'd invite a lot of guests... that's a lot of over-priced stamps. Guess I won't be having a special party any time soon!
Day 32: Pastel version of stamp artwork.
Day 33: Drawing with the flat side of pencil.
Day 34: A RimWorld teacup. It's all fun and games until half your colony gets malaria, your hunter loses an arm in a snake attack, and a fat pirate decomposes in your strawberries cos no one will dig him a grave.
Day 35: My teacup-shaped todo list.
Day 36: Washi tape and wire.
Day 37: Finger painting in Sketches.
Day 38: Peas, glue and ink on canvas. With most of my art supplies packed away, I'm relying on salvaging what I can from what's still lying around the house.
Day 39: Ink on tracing paper. Yep, more salvaging. I found the tracing paper under a yet-to-be-KM'd pile of crap in a corner of the study.
Day 40: Photo stitch. A copycat of art @blaizey made for me. I used a lovely business card from Lovegrove Photography, which came inside a thank you card for supporting his wet plate collodion photography campaign.
So, that's the second set. I noticed an interesting psychological thing around day 32. My mind would frame the creation of a teacup like it's some huge undertaking. But in reality, even the more complicated pieces - like the washi sculpture and stamp artwork - didn't take much time. Hmm... or maybe they did, but I was in flow and did not notice.
Anyway, nothing in the last 20 days felt like it took a great deal of time or effort, and at no point did I feel unable to do recreational stuff like watching tv or playing games. When life tasks needed to take priority, I found I could compensate by figuring out how art could be integrated into those tasks. All I needed to do was remember and spare a thought - the rest seemed to follow on from there.
I wonder if expectation is the reason some people grow away from creative endeavours. Expectation that if you're gonna do something, it should be bonkers amazing. Then it's so daunting, you never even start. This, over years and years.
But just to hammer out a thing - good or bad, for the sake of experiencing its creation - there's no expectation there. You don't spend extra energy constantly checking yourself while you're doing it. You just do it, and then look upon the thing once it's done.
If the lesson from the first set was to regard perspiration ahead of inspiration, the lesson from this set is surely to jump in and try stuff while being comfortable with the idea of failure. You know, there are so many areas in life where failure is largely irrelevant. Making tiny teacups for 100 days is one of them. What else might be too?